| 论黄庭坚的书法美学观和书法创作成就 |
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| 引用本文： | 文师华. 论黄庭坚的书法美学观和书法创作成就[J]. 南昌大学学报(人文社会科学版), 2006, 37(2): 98-101 |
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| 作者姓名： | 文师华 |
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| 作者单位： | 南昌大学,人文学院,中文系,江西,南昌,330047 |
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| 摘 要： | 黄庭坚在书法理论上提倡“自成一家”,重视“学养韵味”,开创了以禅喻书的品评方式;其书法创作成就主要在行书和草书两个方面,行书中内收外放的结构,狂草中动静相间的章法,体现了作者旷达而深沉的文人性格。
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| 关 键 词： | 黄庭坚 书法理论 行书 草书 |
| 文章编号： | 1006-0448(2006)02-0098-04 |
| 修稿时间： | 2005-07-04 |
On Huang Tingjian's Calligraphy Aesthetic View and Calligraphy Achievements |
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| WEN Shi-hua. On Huang Tingjian's Calligraphy Aesthetic View and Calligraphy Achievements[J]. Journal of Nanchang University(Humanities and Social Sciences), 2006, 37(2): 98-101 |
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| Authors: | WEN Shi-hua |
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| Abstract: | Huang Tingjian advocated that he were unique in style in the theory of calligraphy.He attached great importance to scholarship and culture,connotation and aftertaste.Therefore,he initiated a tasting and commenting method that he could use the Buddhist verities comparing the truth in calligraphy.Meanwhile,his achievements in calligraphy mostly appear in two aspects,running handwriting and cursive handwriting.The structure of running handwriting's frapping inside and loosening outside and the orderly ways of connecting dynamic with static embody the author's broad-minded and deep character. |
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| Keywords: | Huang Tingjian the theory of calligraphy running handwriting cursive handwriting |
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