| 另类准则 |
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| 引用本文： | 列奥·施坦伯格,沈语冰.另类准则[J].浙江大学学报(人文社会科学版),2010,40(2):44-52. |
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| 作者姓名： | 列奥·施坦伯格 沈语冰 |
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| 作者单位： | 1. 宾夕法尼亚大学,艺术史系,宾夕法尼亚,费城,19104
2. 浙江大学传煤与国际文化学院 |
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| 摘 要： | 缩小参照的范围一直是形式主义思想自命的任务,这种尝试是要通过将单个变量孤立出来,以科学实验的方式来规训艺术批评。一个更大的反对意见则关系到格林伯格对前现代艺术的处理,对此需要加以讨论,因为格林伯格的现代主义是在与老大师们的对立中界定自己的。假如这一对立变得不稳定了,那么现代主义也许需要重新加以界定,即由另类准则来加以界定。
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| 关 键 词： | 形式主义 现代主义 格林伯格 |
| 收稿时间： | 2010-02-01 |
Other Criteria |
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| Leo Steinberg.Other Criteria[J].Journal of Zhejiang University(Humanities and Social Sciences),2010,40(2):44-52. |
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| Authors: | Leo Steinberg |
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| Institution: | Leo Steinberg(Department of the History of Art,University of Pennsylvania,Philadelphia 19104,U.S.A.) |
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| Abstract: | Reducing the range of reference has always been the appointed task of formalist thought.Its attempt was to discipline art criticism in the manner of scientific experiment,through the isolation of a single variable.One graver objection concerns Greenberg's management of pre-modern art,and this needs discussion because Greenberg's Modernism defines itself in opposition to the Old Masters.If the opposition becomes unstable,Modernism may have to be redefined by other criteria. |
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| Keywords: | formalism modernism Clement Greenberg |
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