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大自然的三原色──论蓉子风景诗的色彩运用
引用本文:许燕.大自然的三原色──论蓉子风景诗的色彩运用[J].汕头大学学报(人文社会科学版),1997(6).
作者姓名:许燕
作者单位:汕头大学台港与海外华文文学研究中心
摘    要:台湾现代派女诗人蓉子在她的风景诗中,选择了大自然中最有代表性的三原色──红、绿,蓝,作为其诗的基本色彩基调,通过对这些色相进行高明度高彩度的选择和处理,使三原色的表现各有其功,形成有意味的色的呈现。同时诗人又通过色彩的搭配对比表现出更为多姿的意象情感,并进而诉诸色彩中的灵魂投射出深彻而独到的生命底蕴,具有意味深厚的审美价值。

关 键 词:绘画美,三原色,视知觉

The three primary colors of Mother Nature,with remarkson the application of colors in Rongzi's poems
Xu Yan.The three primary colors of Mother Nature,with remarkson the application of colors in Rongzi's poems[J].Journal of Shantou University(Humanities Edition),1997(6).
Authors:Xu Yan
Abstract:Rongzi,a modernistic poet,has selected red,green and blue--the three colors mostrepresentative of the primary colors of Mother Nature--as the basic chromatic keynote in her poemsThe three colors have their respective functions ,and her technique in high-saturation and high-brightnessselection and treatment of them with wise arrangement and strking contrast can express varied and grace-ful sentiments and project original original and profound life information.Hence the meaningful esthetic value ofher poems.
Keywords:the beauty of painting three primary colors visual perception
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