当代中国电影的后现代性对传统审美意识的改写与错位

当代中国电影的后现代性流变已是评论界众说纷纭的话题。文章从文化学角度分析了当代中国电影的后现代性对传统审美意识的改写与错位,阐释了具有后现代因素的当代中国电影的产生是转型社会在文化和艺术断层上的自然现象,而这类影片由于它的多元化和实验性、个人性和反叛性,就决定其活动位置的边缘性是一种必然的结局。

Rewriting and Misconception of Postmodernity on Traditional Aesthetic Consciousness of Contemporary Chinese Movies

The evolution of postmodernity of contemporary Chinese movies is the hot topic in the critic circle. This paper analyzes the rewriting and misconception of postmodernity on traditional aesthetic consciousness of contemporary Chinese movies from the perspective of culture, and illustrates that the appearance of contemporary Chinese movies with postmodern factors is a natural phenomenon of culture and art fault in the transitional society. Owing to the diversification, experimentation, individuali-zation and rebelliousness of contemporary Chinese movies, the marginality of their activity location is a vital ending.