| 宫体缘起考辨——兼论徐擒非宫体诗开创者而是今体的倡导者 |
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| 引用本文： | 胡大雷. 宫体缘起考辨——兼论徐擒非宫体诗开创者而是今体的倡导者[J]. 文史哲, 2008, 0(6) |
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| 作者姓名： | 胡大雷 |
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| 摘 要： | 吏载徐摘"文体既刚,春坊尽学之,‘宫体'之号,自斯而起",但此"官体",非官体诗,而是广义的"宫体"之文.其一,从"徐度体"可知徐摛的文学才华在文不在诗.其二,永明文体之"新变"既是诗又是文,可证徐摘"文体既别"不见得一定是诗.其三,梁武帝闻徐摛"宫体"而怒的原因,不在其为描摹女色之艳曲,因梁武帝本人就多有艳曲,而在其讲求音韵声律,在于"教命军书"之类文字以艳丽且局促音律出之,也可能"怒"以"宫体"在政治上的"立朋党".因此,"宫体"起初之义为广义之"文",然后在萧纲的提倡下才是狭义之"诗",徐搞非宫体诗开创者而是"今体"的倡导者.
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| 关 键 词： | 徐摘 梁武帝 宫体诗,音韵声律 今体 |
A dialect analysis of the origin of palace style : Also on Xu Chi is not the creator of court poetry but the advocator of modern style |
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| Hu Dalei. A dialect analysis of the origin of palace style : Also on Xu Chi is not the creator of court poetry but the advocator of modern style[J]. Journal of Literature,History and Philosophy, 2008, 0(6) |
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| Authors: | Hu Dalei |
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