从多元文化角度审视民族声乐的发展

一元文化在内外动力下破裂成多元文化，多元文化在融合中再次整合抽象。建国初我国声乐就出现了传统声乐与美声唱法两元文化的冲突，经过讨论确立了新中国唱法要摄取中国民间传统唱法的精华，有机地接受外来的进步理论和方法，创造具有十足的民族气派歌唱方法的方针。在二十一世纪初原生态民歌大潮席卷中华大地，多元的风格显示了个性的魅力，唤醒了声乐的民族性，相形之下，民族唱法的单一性更日渐显露。在多元文化影响下，我们要认清民族唱法和原生态都是民族声乐，既要看到它们的不足加以批评，又要审时度势加快民族声乐的发展，形成百花齐放的民族声乐局面。

Survey the Development of Folk Vocality from the Aspect of Muiti-cuiture

mono-culture broke into multi-culture under the inner and external forces,at the same time multi-culture unites abstractly in amalgamation.At the very beginning of P.R.C,a bi-culture conflict between the traditional vocality and the bel canto emerged in our vocality register.We established the theory & method that we should ingest the essence of Chinese traditional folk singing with the reasonable acceptance of foreign advancement.In this way we could create a complete national singing.It is necessary for us to recognize both the folk singing and the original singing belong to our folk vocality.We must take their shortcomings into account as criticizing it in one way as well as accelerate the development of folk vocality regarding the situation. Only by this we could create a situation in which all flowers are in bloom..