吴中"情"结--试论徐祯卿的诗歌创作及其诗歌理论

作为明中叶才情横溢的诗人,徐祯卿在文学创作方面进行了不懈的追索。本文首先从地域性、时代性、个体性三个方面分别论述徐祯卿诗歌创作中“情深”的基本特征;继而对徐祯卿诗歌理论,尤其是其吴中文学创作的理论总结《谈艺录》进行深入解析,从而得出诗人试图构架以“情”为核心的诗学理论体系的结论;最后总结出诗人在文学创作领域内对于以“情”为核心的文学创作新境界的理想追求,实际上是他深层心理结构在文学创作领域内的展现。

Wuzhong's tie of emotion --on Xu Zhen-qing's poetic creation and theory

As a talented poet in the middle of Ming Dynasty,Xu Zhen-qing made relentless efforts in poetic creation. This paper first interprets the basic feature of "deep emotions" in terms of region, times, individuality respectively, then analyzes his poetic theory with an emphasis on his theory summation in " Talking about Art" and reveals the poet's attempts to build a system of poetic theory centering around the core "emotion". At last, it is pointed out that such an ideal of basing his literary creation on the core of "emotion" actually is a reflection of his in-depth ideological construction in literary creation.