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论《庄子》“三言”的直觉思维特征
引用本文:张洪兴.论《庄子》“三言”的直觉思维特征[J].浙江师范大学学报(社会科学版),2007,32(5):43-46.
作者姓名:张洪兴
作者单位:华东师范大学,中文系,上海,200062
摘    要:直觉体悟是《庄子》"三言"艺术思维的基本方式。为增强文章的可信度与艺术感染力,庄子直觉思维中使用了以一统万、以有显无、以物观物、以外托内、正反互见,即"统"、"悟"、"顺"、"衬"、"逆"等方式,使其文章形成了"汪洋自恣以适己"的艺术风格。

关 键 词:庄子  "三言"  直觉思维
文章编号:1001-5035(2007)05-0043-04
修稿时间:2006年12月25

On Features of Intuitive Thinking in Chuang Tzu's Three Ways of Argumentation
ZHANG Hong-xing.On Features of Intuitive Thinking in Chuang Tzu''''s Three Ways of Argumentation[J].Journal of Zhejiang Normal University:Social Sciences,2007,32(5):43-46.
Authors:ZHANG Hong-xing
Abstract:Intuitivism is an essential way of the artistic thinking in Chuang Tzu's "san yan"(the three ways of argumentation,i.e.: "zhi yan",the seemingly incoherent but actually most natural and true statements;"chong yan",quotations from the learned and/or celebrated;and "yu yan",parables).In order to improve the reliability and artistic appeal of his essays,Chuang Tzu tried quite a few ways,such as uniting the infinite in one,showing the "wu"(nothing / without) by the "you"(existent),observing one thing from the perspective of another,setting off the inner by the outer,and contrasting the positive with the negative.By doing so,Chuang Tzu successfully established in his essays an artistic style that is characterized by open-mindedness in arguments and freedom from textual restraints.
Keywords:Chuang Tzu(369-286 BC)  "san yan"  intuitive thinking
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