| 晋宋至盛唐山水田园诗的思想和谐美 |
| |
| 引用本文： | 张成.晋宋至盛唐山水田园诗的思想和谐美[J].安徽农业大学学报(社会科学版),2008,17(3):64-67. |
| |
| 作者姓名： | 张成 |
| |
| 作者单位： | 徽商职业学院,商贸系,安徽,合肥,230022 |
| |
| 摘 要： | 晋宋至盛唐时期的山水田园诗积淀了深厚的和谐审美文化的内涵，思想上突出表现为和谐美。“天人合一”的思想渊源以和谐为本，山水田园诗自然人格化的本质属性离不开崇尚和谐的人格定位，儒道佛自然山水观的渗透蕴含着自然和谐的审美观。
|
| 关 键 词： | 山水田园诗 思想 和谐 |
| 文章编号： | 1009-2463(2008)03-0064-04 |
| 修稿时间： | 2007年11月6日 |
The Harmonious Beauty of Pastoral Poem From Jin and Song Dynasty to Tang Dynasty in Its Ideology |
| |
| ZHANG Cheng.The Harmonious Beauty of Pastoral Poem From Jin and Song Dynasty to Tang Dynasty in Its Ideology[J].Journal of Anhui Agricultural University(Philosophy & Social Sciences Edition),2008,17(3):64-67. |
| |
| Authors: | ZHANG Cheng |
| |
| Institution: | ZHANG Cheng (Department of Commerce and Trade, Huishang Vocational College, Hefei 230022, Anhui ) |
| |
| Abstract: | The pastoral poems from Jin and Song dynasty to Tang dynasty bears profound connotation of ancient harmonious aesthetic culture, embodying intensively the beauty of harmony in its ideology. The origin of the theory that man is an integral part of nature is harmony oriented; the natural-property, say the personalization of nature, of the pastoral poems can not depart from the personality position of harmony. Advocating the interpenetration of the views of the nature and landscape of Confucianism, Taoism and Buddhism manifests the aesthetic standard of nature and harmony. |
| |
| Keywords: | pastoral poems ideology harmony |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
| 点击此处可从《安徽农业大学学报(社会科学版)》浏览原始摘要信息 |
| 点击此处可从《安徽农业大学学报(社会科学版)》下载免费的PDF全文 |
