| 流行音乐、艺术趣味与社会意识——改革开放初期关于流行音乐的论争 |
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| 引用本文： | 陈占彪. 流行音乐、艺术趣味与社会意识——改革开放初期关于流行音乐的论争[J]. 社会科学, 2010, 0(2) |
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| 作者姓名： | 陈占彪 |
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| 作者单位： | 上海社会科学院文学研究所,上海大学中文系,上海,200444 |
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| 摘 要： | 文化形态与社会制度息息相关,艺术趣味是社会意识的反映.改革开放之初,流行音乐异军突起,风靡天下,一方面,它打破了此前艺术表达情感的简单化、模式化和虚假化,受到热捧;另一方面,它又有"腐蚀意志"的一面,是"资本主义社会"的必然产物,受到批判.围绕流行音乐的论争,关系到历史转轨时期对文艺的功能、文艺与政治的关系的重新认识和调整,而这一理论认识,正是当年的文化实践和文化现实所促生出来的.
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| 关 键 词： | 流行音乐 艺术趣味 社会意识 |
Popular Music,Art Taste and Social Consciousness:on Debate of Popular Music at the Beginning of Reform |
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| Chen Zhanbiao. Popular Music,Art Taste and Social Consciousness:on Debate of Popular Music at the Beginning of Reform[J]. Journal of Social Sciences, 2010, 0(2) |
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| Authors: | Chen Zhanbiao |
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| Abstract: | Cultural form is closely connected with social institutions and art taste is the reflection of social consciousness. At the beginning of reform,popular music quickly developed and was welcome widely. On the one hand,it broke through the simplified,patterized and false characteristics of former representation way of sentiment by art and so was supported;on the other hand,it was regarded as the product of capitalist which may corrupt willing,then was criticized. The article argues that such debate around the ... |
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| Keywords: | Popular music Art taste Social consciousness |
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