| “解”与“解曲”辨──《乐府诗集》音乐术语丛考之一 |
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| 引用本文： | 崔炼农. “解”与“解曲”辨──《乐府诗集》音乐术语丛考之一[J]. 东南大学学报(哲学社会科学版), 2007, 9(2): 81-86 |
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| 作者姓名： | 崔炼农 |
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| 作者单位： | 湖南大学,新闻与传播学院,湖南,长沙,410082 |
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| 摘 要： | 结合古代歌辞记录的文本分析,对相关史料重加疏证可知,“清商三调歌”之“解”,是乐工在选取现成歌辞配入既有曲调时分割歌辞以适配乐段长度的产物,其本义是“宰割”,引申为计量单位“章”。“解”,代表一个与歌唱同步进行的乐段,与隋唐时期为结束某一既定曲调所特加的“解曲”判然有别。
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| 关 键 词： | 解 宰割辞调 解曲 意尽声不尽 |
| 文章编号： | 1671-511X(2007)02-0081-06 |
| 修稿时间： | 2006-06-06 |
On differentiation between jie and jiequ |
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| CUI Lian-nong. On differentiation between jie and jiequ[J]. Journal of Southeast University(Philosophy and Social Science ), 2007, 9(2): 81-86 |
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| Authors: | CUI Lian-nong |
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| Abstract: | By analyzing the relevant textual materials of ancient songs and tunes, we find that jie was the product in setting words to a ready tune. Its original meaning was “cutting” and later was extended as a measure unit which represented a piece of tune set for the words of a song. Therefore it is different from jiequ which was composed as the end of a certain tune. |
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