| 印象派艺术在欧洲艺术史上的过渡性 |
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| 引用本文： | 许敏.印象派艺术在欧洲艺术史上的过渡性[J].长江大学学报(社会科学版),2005,28(4):109-110. |
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| 作者姓名： | 许敏 |
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| 作者单位： | 长江大学,艺术学院,湖北,荆州,434020 |
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| 摘 要： | 产生于19世纪60-70年代的法国印象派艺术,处于传统的现实主义向现代派过渡的重要转折点上。印象派在艺术观点上与传统艺术一脉相承,强调艺术的真实性原则,在技法、色彩等方面则与传统艺术背道而驰,给现代艺术以直接启示,使后来的绘画艺术在视觉与审美领域产生了重大的变化。
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| 关 键 词： | 印象派 现实主义 现代主义 外光 |
| 文章编号： | 1673-1395(2005)04-0109-02 |
| 修稿时间： | 2005年3月16日 |
Transition of Impressionist Art in European Art History |
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| XU Min.Transition of Impressionist Art in European Art History[J].Journal of Yangtze University:Social Sciences,2005,28(4):109-110. |
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| Authors: | XU Min |
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| Abstract: | French Impressionist Art which appeared in 1860s or 1870s lies in the turning point where the traditional realistic art changes towards the modern art. The impressionist art, which holds identical art views with the traditional art in respect of the principle of the art truthfulness, and holds quite different art views with the traditional art in respect of skill, colour, has borne the modern art. Hence it has brought out the great change of art in visual sense and aesthetic appreciation. |
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| Keywords: | impressionist realism modernism surface light |
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