Museums as agencies of neocolonialism in a postmodern world

In this article I describe an attempt by a large state museum to engage a plurality of voices and to adopt a new posture of representation in its programmes and exhibitions. In the process however, encumbered with its very institutional nature, of which it made little acknowledgement, it continued to silence much of the plurality to which it hoped to give voice. In the end the museum's discourse of representation of the ‘other’ fundamentally altered very little from its historical posture. I have identified three themes of the colonial heritage of the museums that I suggest encapsulate essential, but not exclusive, dimensions of their hegemony. These are the themes of containment, objectification, and reduction.

As we produce the official explanations, we reproduce the official ideology . . . We are a part of the records that we keep (Spivak 1987: 108).