| 从《风洞山》看吴梅的戏剧观 |
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| 引用本文： | 胡庆龄. 从《风洞山》看吴梅的戏剧观[J]. 齐鲁学刊, 2004, 0(5): 124-127 |
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| 作者姓名： | 胡庆龄 |
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| 作者单位： | 山东大学文学与新闻传播学院,山东,济南,250100 |
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| 摘 要： | 《风洞山》传奇是我国近代著名文学家、戏曲理论家吴梅先生的戏曲代表作。它集中体现了吴梅的戏剧美学主张,其"线索清澈,脉络分明"的戏剧结构,亦雅亦俗的语言风格,以及"真、趣、美"的审美追求,正是吴梅戏剧观的核心内容,对当时和后世词曲学和戏剧学研究产生了较大影响。
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| 关 键 词： | 吴梅 《风洞山》 戏剧观 |
| 文章编号： | 1001-022X(2004)05-0124-04 |
| 修稿时间： | 2003-12-17 |
Analyzing the Wumei's Viewpoits on Drama from Feng Dong Shan |
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| Hu Qing-ling. Analyzing the Wumei's Viewpoits on Drama from Feng Dong Shan[J]. Qilu Journal, 2004, 0(5): 124-127 |
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| Authors: | Hu Qing-ling |
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| Abstract: | Opera Feng Dong Shan is the representative opera of Wumei who was the famous literature and opera theorist in modern times. Feng Dong Shan mainly presents the dramatic views on "clear clue and distinct sequence of ideas" composition of drama and "either the elegant and the current" characteristic of language and "the true and the interest and the beautiful" aesthetic pursuit. Such dramatic views exercised important influence upon the research of the opera and drama in contemporary generation and later generations. |
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| Keywords: | Wumei Feng Dong Shan the dramatic views |
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