| "和":先秦儒家核心音乐美学观 |
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| 引用本文： | 管云. "和":先秦儒家核心音乐美学观[J]. 绍兴文理学院学报, 2002, 22(3): 108-111 |
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| 作者姓名： | 管云 |
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| 作者单位： | 丽水师专,音乐系,浙江,丽水,323000 |
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| 摘 要： | “和”在中国音乐美学史中是一个极为重要的范畴 ,无论是道家 ,还是儒家 ,对“和”都有着深刻的认识和在哲学上的剖析 ,并且 ,都有着极为丰富的实践经验。纵观先秦各家的音乐美学思想 ,不难看出 ,先秦时产生与定位的“和”的音乐美学思想 ,已为秦后来的音乐美学思想奠定了基础。
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| 关 键 词： | 音乐美学思想 和 中和 礼 仁 中声 |
| 文章编号： | 1008-293X(2002)03-0108-04 |
| 修稿时间： | 2002-02-22 |
Harmony:The Core Musical Aesthetical Thought of Confucianism in Warring- State Period |
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| Guan Yun. Harmony:The Core Musical Aesthetical Thought of Confucianism in Warring- State Period[J]. Journal of Shaoxing College of Arts and Sciences, 2002, 22(3): 108-111 |
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| Authors: | Guan Yun |
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| Abstract: | Harmony is an extremely important category in Chinese musical history. Both Taoism and Confucianism have their own profound understanding and analysis of harmony together with their practical experiences. Tracing back to the musical aesthetical thoughts of the famous musicians of the Warring-States period, it's not difficult to find that the musical aesthetical thought of harmony emerging and defined in that period laid a solid foundation for the musical aesthetical thoughts afterwards. |
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| Keywords: | musical aesthetical thought harmony mean harmony courtesy humanity moderate sound |
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