略论鲁迅的反现代主义艺术观

从鲁迅的艺术实践来看，他是运用现代主义手法的好手，无论是有意识，还是无意识，这方面研究颇多，亦无争议。但从鲁迅的艺术（包括美术、戏剧、诗等）主张来看，他却是坚定的反现代主义者，这方面却鲜有梳理。这一“实践”与“主张”分裂的根源在于他将艺术当作参与社会、改造社会的工具主义看法所致，因为在战斗的时代里，艺术虽然未必反映真实，但至少与写实是孪生的。只有使人“懂”才能发挥其作用，只有写实才能使人“懂”，这就决定了他的反现代主义艺术主张。

Luxun's Counter-Modernist Idea of Art

Researches show that it has been generally agreed on Luxun＇ s artistic practice, whether he used the modernist style deliberately or not. However, considering his artistic ideas of arts, drama and poetry, he is a steadfast anti - modernist. Few scholars have touched this respect. The separation of his practice from his idea originated from his instrumental idea of art as a tool used to influence and change the society. In the years of struggle, though art might not totally reflect the reality, it was actually realistic. Luxun＇ s anti - modernist idea is seen in his claims that art could not function unless it could be understood and that to be understood, it must be realistic.