经验派美学"审美无利害"思想与审美现代性 |
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引用本文: | 吕宏波,Lü Hong-bo. 经验派美学"审美无利害"思想与审美现代性[J]. 湖南文理学院学报(社会科学版), 2007, 32(4): 20-23 |
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作者姓名: | 吕宏波 Lü Hong-bo |
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作者单位: | 中国人民大学哲学院 北京100872 |
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摘 要: | 18世纪英国的经验派美学家最早从主体自身出发提出审美不涉及利害的思想。这一思想最早由夏夫兹博里提出,哈奇生、艾迪生、休谟、伯克等人继承了审美无关利害的思想。在英国经验派美学的影响下,康德将"审美无利害"确立为一种美学原则。英国经验派美学提出的"审美无利害",体现了审美现代性的分化性特征。英国经验派美学家以此改变了单纯以德国理性派来研究美学的现代起源的观点,其地位和作用由此得到突显。
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关 键 词: | “审美无利害” 英国经验派美学 审美现代性 |
文章编号: | 1672-6154(2007)04-0020-04 |
修稿时间: | 2007-05-25 |
The Thought of Aesthetic Disinterestedness of British Empirical Aesthetics and Aesthetic Modernity |
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Abstract: | In the view of this paper,the idea of aesthetic disinterestedness was presented by the 18th century esthetician in terms of subject,first brought up by Shaftsbury.Under the influence of Shaftsbury,other British empirical estheticians,such as Francis Hutcheson,Joseph Addison,David Hume,Edmund Burke,proposed aesthetic disinterestedness in succession.Under the influence British empirical of aesthetics,Immanuel Kant established aesthetic disinterestedness as an aesthetic principle.The proposation of aesthetic disinterestedness reflected the feature of differentiation of modernity.It also changed the concept of studying the the origin of modern aesthetics merely from German Rationalist School.From then on,The status and function the British Empirical Aesthetics came into being. |
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Keywords: | aesthetic disinterestedness British empirical aesthetics aesthetic modernity |
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