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戴望舒诗的现代性举要
引用本文:蒋淑娴.戴望舒诗的现代性举要[J].辽宁大学学报(哲学社会科学版),2006,34(3):43-47.
作者姓名:蒋淑娴
作者单位:湛江师范学院,人文学院,广东,湛江,524048
摘    要:戴望舒作为中国20世纪30年代现代主义诗歌的领袖,强调新诗“应该有新的情绪和表达这种情绪的形式”,主张写“纯诗”,统摄在他诗歌中忧郁感伤的情怀,是诗人通过对自我灵魂的本真思考得到全面的展示;诗人灵魂与自然意象的融合,既表现与西方象征主义诗歌的密切联系,又深印着传统文化的心理情结。

关 键 词:诗情  灵魂思考  自然意象
文章编号:1002-3291(2006)03-0043-05
修稿时间:2005年11月15

The Modernity Essence in Dai Wang-shu's Poems
JIANG Shu-xian.The Modernity Essence in Dai Wang-shu's Poems[J].Jounal of Liaoning University(Philosophy and Social Sciences Edition),2006,34(3):43-47.
Authors:JIANG Shu-xian
Abstract:Dai Wang-shu was the chief of the modernism poetry in 1930s.He emphasized that the new poetry must have the new emotions and form,and he claimed that the poets should write the pure poems.So the doldrums and pathos feelings were completely unfurled throughout the soul thought himself in Dai Wang-shu's poems.On the other hand,the amalgamation about the poet spirits and nature imago,not only represented the most friendly contact with the symbolism poetry of western countries,but also deeply impressed the psychological complex of traditional culture.
Keywords:poetic  the doldrums  nature image
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