| 曲小韵美——论《玫瑰三愿》的艺术特色 |
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| 引用本文： | 陈晋萍. 曲小韵美——论《玫瑰三愿》的艺术特色[J]. 山西农业大学学报(社会科学版), 2012, 11(6): 546-548,560 |
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| 作者姓名： | 陈晋萍 |
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| 作者单位： | 太原大学应用艺术系,山西太原,030032 |
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| 摘 要： | 《玫瑰三愿》这首艺术歌曲，由龙沐勋作词、黄自作曲，创作于1932年淞沪会战之后，反映了知识分子在国破家亡时的忧愤心情。《玫瑰三愿》是中西方音乐文化结合的典范，它呈现出单二部曲式的精致结构，旋律上具有顶针格式的国乐特色，小提琴助奏、钢琴伴奏为主体的伴奏形式，实现了“立意尽象”这一艺术创作的最高境界。
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| 关 键 词： | 玫瑰三愿 忧愤 中西文化结合 |
On the Artistic Features of Three Wishes of the Rose |
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| CHEN Jin-ping. On the Artistic Features of Three Wishes of the Rose[J]. Journal of Shanxi Agricultural University:Social Science Edition, 2012, 11(6): 546-548,560 |
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| Authors: | CHEN Jin-ping |
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| Affiliation: | CHEN Jin-ping (Taiyuan University Application Art Department,Taiyuan Shanxi 030009,China) |
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| Abstract: | Three wishes of the rose,a treasure in Chinese art song created in 1932 after the battle of Shanghai,reflects the intellectuals indignation mood when country perishes.Three wishes of the rose is the integration model of Chinese and western music culture to achieve the highest state of the art creation. |
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| Keywords: | Three wishes of the rose Indignation Combination of Chinese and western culture |
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