| “得意忘言”与魏晋六朝艺术观的建构 |
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| 引用本文： | 徐一舟.“得意忘言”与魏晋六朝艺术观的建构[J].宁波大学学报(人文科学版),2016,0(3):130-132. |
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| 作者姓名： | 徐一舟 |
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| 作者单位： | (宁波城市职业技术学院 艺术学院,浙江 宁波 315100) |
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| 摘 要： | 魏晋玄学以“本末有无之辩”为哲学主题，以“得意忘言”为哲学方法，塑造了清峻通脱的魏晋风度。在这种玄风影响之下，形成了魏晋独特的绘画艺术理论，表现在艺术方法注重“得意忘言”，艺术创作强调“以形写神”，鉴赏批评崇尚“气韵生动”。
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| 关 键 词： | 魏晋玄学 得意忘言 以形写神 气韵生动 |
Idea Got and Words Forgotten and the Construction of the Artictic Views in Wei-Jin Period |
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| XU Yi-zhou.Idea Got and Words Forgotten and the Construction of the Artictic Views in Wei-Jin Period[J].Journal of Ningbo University(Liberal Arts Edition),2016,0(3):130-132. |
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| Authors: | XU Yi-zhou |
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| Institution: | (Vocational Technology Institute of Art, Ningbo City College, Ningbo315100, China) |
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| Abstract: | The metaphysical school of Wei and Jin is characterized by the doctine of “Idea Got and Words Forgotten”. Influenced by the thought, a unique artistic theory was formed, which emphasizes Ideas instead of words, the spirit rather than the form |
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| Keywords: | The metaphysical school Idea Got and Words Forgotten spirit rather than form aura |
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