| 农耕与游牧交汇下中国古典戏剧的文类变异 |
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| 引用本文： | 林玮生.农耕与游牧交汇下中国古典戏剧的文类变异[J].北方论丛,2011(5):28-32. |
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| 作者姓名： | 林玮生 |
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| 作者单位： | 暨南大学文学院博士后流动站,广东广州,510632 |
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| 基金项目： | 教育部人文社科研究规划基金项目(编号:11YJA751045)的阶段性成果 |
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| 摘 要： | 以异质文明之间的影响为视域,以希腊悲剧"苦尾"为比较点,发现有两个重要原因导致中国悲剧出现"乐尾"现象。农耕文明中的乐感情结与苦难情结之间的内在张力为"悲身乐尾"的艺术结构提供了植生的土壤;农耕文明在游牧文明的强力作用下,原来的文艺在结构、秩序与功能上发生了变异。在文类形态上,中国出现了戏剧的"二度诞生",并产生了普世性的悲剧形态;在文类功能上,悲剧与哲学(宗教)共时地肩负起诠释与化解"人役"苦难的历史重任,哲学(宗教)与悲剧的"共时同台",化生出"悲身乐尾"的艺术式样。
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| 关 键 词： | 悲剧 乐尾 文类 游牧文明 |
A new Interpretation of Chinese Tragedy' s “Happy End” |
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| LIN Wei-sheng.A new Interpretation of Chinese Tragedy' s “Happy End”[J].The Northern Forum,2011(5):28-32. |
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| Authors: | LIN Wei-sheng |
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| Institution: | LIN Wei-sheng (Literary School of Jinan University,Guangzhou,510632,China) |
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| Abstract: | There are two main factors contributed to the phenomenon of "happy end".First,the tension between complex of optimism and tribulation offered a good nursing land for the "Happy End".Second,with the impact of nomad civilization,the drama in China came into its second naissance.And then the tragedy formed.Philosophy and tragedy’s co-shouldering the mission of interpreting human being’s tribulation finally shaped the unique End. |
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| Keywords: | Chinese tragedy happy end genre nomad civilization |
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