| 唯识量论的美学意蕴 |
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| 引用本文： | 王耘. 唯识量论的美学意蕴[J]. 东南大学学报(哲学社会科学版), 2003, 5(1): 89-93 |
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| 作者姓名： | 王耘 |
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| 作者单位： | 复旦大学中文系,上海,200433 |
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| 摘 要： | 唯识量论的早期理论形态过于杂芜。成熟量论的真实目的是为了证明世界的绝对存在。现量埋设了人类与绝对存在融通的伏笔。比量潜藏了人类回归绝对存在的契机。法称的现量理论直指绝对存在的空性。意现量直观蕴含了丰富的美学意蕴 ,是唯识美学的最终实现。
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| 关 键 词： | 量论 现量 意现量 直观 |
| 文章编号： | 1671-511X(2003)01-0089-05 |
| 修稿时间： | 2002-10-15 |
The aesthetic meaning of vijnaptimātratā pramāna |
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| WANG Yun. The aesthetic meaning of vijnaptimātratā pramāna[J]. Journal of Southeast University(Philosophy and Social Science ), 2003, 5(1): 89-93 |
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| Authors: | WANG Yun |
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| Abstract: | The early stage of vij n ∨aptimātratā pramā n ·a is confusing. The real intention mature stage's is to prove the absolute existence of the world. Pratysk s ·a contains the moment that human corresponds to the absolute existent, and anumāna pramā n ·a entails the pivot that human returns to the absolute existence. Facheng's pratysk s ·a theory shows the s ∨ūnya of absolute existence. Manas pratysk s ·a's audio visual reason implicits rich aesthetic meaning and is the realization of vij n ∨aptimātratā aesthetis. |
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| Keywords: | pramā n ·a Pratysksa Manas pratysksa audio visual |
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