| 论奇异化 |
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| 引用本文： | 代庆丰. 论奇异化[J]. 西南农业大学学报(社会科学版), 2008, 6(5) |
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| 作者姓名： | 代庆丰 |
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| 作者单位： | 西南大学,文学院,重庆,400715 |
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| 摘 要： | 什克洛夫斯基在对传统的形象思维的批判中,阐明了艺术的独立存在价值,为形式找到了自己的归宿:艺术创造中的奇异化描写。艺术描写本身对抗着生活的自动化的语言,这也就是形式获得它自主性的表现。情节编构中的奇异化手法:重复、穿插、突转等对情节起阻缓作用手法。
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| 关 键 词： | 形式 奇异化 阻缓 |
On Defamiliaration |
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| DAI Qing-feng. On Defamiliaration[J]. Journal of Southwest Agricultural University:Social Science Edition, 2008, 6(5) |
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| Authors: | DAI Qing-feng |
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| Abstract: | Commenting on the traditional imaginal thinking,Shklovsky argued that art has its own special value.This is the formal: the Defamiliaration of the art.The depiction of the art has its own independence of automatization,which is the daily language.Also,this is the Defamiliaration,which has the effect of delay for the plot when recounting the plot: repetition,interlude,and some others. |
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| Keywords: | formal defamiliaration delay |
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