艺术隐喻研究需要直面艺术实践的学术建构-兼论王炳社先生的《隐喻艺术思维研究》

尽管艺术隐喻研究在西方历史悠久，源远流长，然而在中国它却是一个新兴学科。直至20世纪90年代，艺术隐喻研究才在中国真正兴起。20世纪末以来，中国学者也为之付出了不少的心血并取得了一定的成就。尽管如此，当前艺术隐喻研究的视野仍然不够宏阔-主要局限于语言学和修辞学的范畴，而且系统性的研究也比较缺乏。王炳社先生的《隐喻艺术思维研究》无疑是当前国内艺术隐喻研究取得的一项新成就。《隐喻艺术思维研究》的主要成就表现在三个方面：第一，思路清晰，视野宏阔，建立起了一个较为完备、系统的艺术隐喻思维理论体系。第二，立足艺术实践，具有一定的理论原创性。第三，始终以艺术的诗性精神为着眼点，使艺术隐喻的本质特征得到了较为充分的诠释。

Academic Construction of Art Practice in Artistic Metaphor Study -Discussion about Study of Metaphoric Art Thinking by Wang Bing -she

The artistic metaphor study has had a very long history in the western world,while it is still a new branch in China since its study has not risen by 1920s.By the end of the 20th century,Chinese scholars have devoted great effort and achieved some accomplishments.Nevertheless,the current horizon is not broad enough,mainly confined to linguistics and rhetoric and without much systematic study.No doubt,Study of Metaphoric Art Thinking by Wang bing-she is a new achievement at present in the domestic study of artistic metaphor.His achievements are present in three aspects: 1) A clear line of thought,a broad horizon,a comparatively complete and systematic theoretical system;2) Based on the art practice,with a certain original theory;3) Focused on the poetic art,with a relatively full interpretation of artistic metaphor.