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“物”“我”的审美互动——“兴”之新解
引用本文:权雅宁. “物”“我”的审美互动——“兴”之新解[J]. 河南科技大学学报(社会科学版), 2006, 24(4): 48-52
作者姓名:权雅宁
作者单位:宝鸡文理学院,中文系,陕西宝鸡,721007
摘    要:“兴”的类型可以归纳为物象之兴和声韵之兴等。兴是“诗缘情”的实践形态和发扬,是一种独特的生命省察方式,是中国古人混沌思维和巫术思维的体现。最早的兴句可能是人对神的致敬、问候,是诗歌权力性质与一般口语的标志性区别之一。“兴”的审美效果有高下之别,将“兴”规定为“物”“我”的审美互动可以具有普遍的解释功能。

关 键 词:  诗缘情  审美互动
文章编号:1672-3910(2006)04-0048-05
修稿时间:2005-10-16

Interaction of Aesthetical Appreciation of Object and Ego: a New View on "Xing"
QUAN Ya-ning. Interaction of Aesthetical Appreciation of Object and Ego: a New View on "Xing"[J]. Journal of Henan University of Science & Technology:Social science, 2006, 24(4): 48-52
Authors:QUAN Ya-ning
Abstract:"Xing" can be concluded as Wuxiang and Shengyun.It is a practical and developed form of "poem arises from passion",and it is particular life reflection of primeval and witchcraft thought of ancient Chinese.The earliest of it probable was an respect greeting expression to God,one of significant distinguish poetic power from colloq.Aesthetical appreciation effect of Xing always superior to other forms,if we confine Xing to Object & ego aesthetical appreciation interaction,it can develop a general explanation function.
Keywords:Xing  poem arises from passion  interaction of aesthetical appreciation
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