中国古代“人品与文品”理论的衍变

主张诗品、文品与人品的统一是中国文学批评追求文学理想人格之美的集中反映.从先秦到明清,这种理论经历了"文如其人"理论的滥觞、"言为心声"的理论发展、"魏晋风骨"的审美性位移、"文以载道"理论的深化扩展、"文品即人品"理论的变异与总结等不同阶段.随着时代精神的变迁和文学观念的更迭,历代文人学士对文品与人品之关系的认识也在不断的深化.

Evolution of the Theories of 'Moral Quality and Literary Quality' in Ancient China

The advocacy of unifying poetic quality,literary quality and moral quality is a reflection of the pursuit of the Chinese literary critics of the ideal of literature and the beauty of morality. This theory has experienced several periods:originating from the theory that "the style is the man",theoretical development that "words are the voice of the mind",experiencing the aesthetic change of "the style of Wei and Jin Dynasties",theoretically deepened and expanded to hold that "the function of literature is to convey the truth" and finally coming to a summary that "literary quality is moral quality". With the change of the spirit of the times and the development of literary views,the scholars' perception of the relation between literary quality and moral quality in past dynasties has been deepened continuously.