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王安石晚年禅诗中的超然之境
引用本文:庄国瑞.王安石晚年禅诗中的超然之境[J].江南大学学报(人文社会科学版),2009,8(4):99-103.
作者姓名:庄国瑞
作者单位:浙江大学,人文学院,浙江,杭州,310028
摘    要:王安石诗歌创作以熙宁罢相为界限,大致可分为前后两期。后期诗作中有不少充满禅理、禅意的诗歌,在这些诗歌中王安石表达了各种复杂情感,其中最引人关注的是一种脱略尘世的心境,文章从三个不同的感悟角度深入考察了王安石晚年禅诗中的超然境界。

关 键 词:王安石  禅诗  超然意境

The Transcendent Artistic Conception in The Later Stage Zen Poems of Wang Anshi
ZHUANG Guo-rui.The Transcendent Artistic Conception in The Later Stage Zen Poems of Wang Anshi[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2009,8(4):99-103.
Authors:ZHUANG Guo-rui
Institution:ZHUANG Guo-rui (College of humanism, Zhejiang University, Hangzhou a10028, China)
Abstract:Wang Anshi's poems can be roughly divided into two parts by a demarcation line, when he resigned his position as a prime minister of the North Song Dynasty. In the later writing stage he wrote a lot of Zen poems. He expressed some complicated feelings in those poems, and a mood beyond the outside world mentality is the most attractive one which causes people to pay more attention to. This paper studies the transcendent artistic conception of Wang An-shi's Zen poems from three different angles.
Keywords:Wang Anshi  Zen Poem  Transcendent Artistic Conception
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