| 悲喜并至 苦乐相错(下)——中国人审美情感发微 |
| |
| 引用本文： | 梁一儒. 悲喜并至 苦乐相错(下)——中国人审美情感发微[J]. 阴山学刊, 2002, 0(2) |
| |
| 作者姓名： | 梁一儒 |
| |
| 作者单位： | 山东大学威海分校教务处 山东威海264209 |
| |
| 摘 要： | 中国人的感情生活崇尚多味 ,避忌单一。特别是作为审美情感主要形态的悲与喜 ,在艺术作品中总是彼此渗透、互补共生。多味性、相间性实为中国悲喜剧最鲜明的特色之一。
|
| 关 键 词： | 审美情感 喜剧 幽默 滑稽 |
A Concise Exploration of the Aesthetic Feelings of Chinese |
| |
| LIANG Yi-ru. A Concise Exploration of the Aesthetic Feelings of Chinese[J]. Yin Shan Academic Journal, 2002, 0(2) |
| |
| Authors: | LIANG Yi-ru |
| |
| Abstract: | Chinese advocate rich and varied affective life avoiding the monotonous. Therefore, being the main forms of Chinese aesthetic feeling, grief and joy are always intermingled, integrated and replenished with each other. Variation and alternation are the most distinguished features of Chinese tragedies and comedies. |
| |
| Keywords: | aesthetic feelings tragedy grand union |
| 本文献已被 CNKI 等数据库收录！ |
|
