| 论康德美学的现代性意义 |
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| 引用本文： | 陈开晟. 论康德美学的现代性意义[J]. 江汉大学学报(人文科学版), 2008, 27(5): 57-63 |
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| 作者姓名： | 陈开晟 |
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| 作者单位： | 福建师范大学,文学院,福州,350007 |
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| 基金项目： | 福建省社会科学规划项目 |
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| 摘 要： | 康德美学的批判功能、交往功能与和解功能从三个维面彰显了康德美学的现代性意义。康德之后的席勒、阿多诺、马尔库塞与哈贝马斯等的美学思想从历史转义的层面上延续了康德美学的丰富内涵，他们将康德在先验层面上的美学现代性潜能从现实层面上加以转换与释放。
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| 关 键 词： | 批判功能 交往功能 和解功能 审美现代性 |
Significance of Modernity of Kant's Aesthetics |
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| CHEN Kai-sheng. Significance of Modernity of Kant's Aesthetics[J]. Journal of Wuhan Institute of Education, 2008, 27(5): 57-63 |
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| Authors: | CHEN Kai-sheng |
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| Affiliation: | CHEN Kai-sheng ( The Postdoctoral Station of School of Chinese Language and Literature, Fujian Normal University , Fuzhou35007, China) |
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| Abstract: | The Significance of Modernity of Kant＇ s Aesthetics is displayed in three perspectives of aesthetics＇ critical function, communicative function and reconciliatory function. In suecession to Kant, the aesthetic thinking of Friedrich Schiller,W. Adorno, Herbert Marcuse and Jugen Habetmas carry on the rich connotation of Kant＇ s aesthetics on the level of historical trope, they convert and release Kant＇ s potential of aesthetic modernity from the transcendental level to the realistic one. |
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| Keywords: | critical function communicative function reconciliatory function aesthetic modernity |
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