| 从“心性”之学到“美地观照”徐复观文艺思想初探 |
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| 引用本文： | 陈才生.从“心性”之学到“美地观照”徐复观文艺思想初探[J].殷都学刊,2008,29(2):97-100. |
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| 作者姓名： | 陈才生 |
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| 作者单位： | 安阳师范学院,文学院,河南,安阳,455002 |
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| 摘 要： | “心性”之学是中国当代新儒家哲学思想的核心，将“心”的文化与“心”的艺术之间的障壁打通却是徐复观的独创。其要点有二：一、虚、静、明之心乃是精神自由的关键，亦是艺术价值的根源；二、“不为物役”不仅是庄子人生中“美地观照”的关键，也是艺术创造的关键。徐复观从中国传统文化中吸取现代化因子的方法实乃当代新儒学内圣而外王理路在艺术领域的反映。
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| 关 键 词： | 徐复观 心性之学 美的观照 |
From the Theory of Temperament to Aesthetic Concern |
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| Institution: | CHEN Cai- sheng ( School of Chinese Language and Literature ; Anyang Normal University ; Anyang 455002, China) |
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| Abstract: | The theory of temperament is the essence of neo - Confucianism, while the combination of cuhure of mind and art of mind is the originality of Xu Fuguan＇ s thought. Xu extracted modem factors from traditional Chinese culture, showing his originality in two aspects ： void, quietness and clearness are the keys of a free mind ; freedom from the control of material weahh is the key of aesthetic concern and artistic creativity in Laozi＇s life. |
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| Keywords: | Xu Fuguan theory of temperament aesthetic concern |
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