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百年戏剧三题
引用本文:吴济时. 百年戏剧三题[J]. 武汉大学学报(人文科学版), 2000, 53(4): 563-567
作者姓名:吴济时
作者单位:武汉大学人文科学学院湖北武汉430072
摘    要:20世纪的影像文化大潮,强烈冲击着文艺生态,一些传统文艺品种的自下而上受到了严重威胁.20世纪的戏剧就是在大潮冲击中争生存、求发展的戏剧.为些,戏剧界在三个方面展开了探求,首先,重新认识并强化了戏剧的独特性,从而立定了脚跟;其次,重新认识了发展与继承传统的关系,发展必须在批判地继承传统的基础之上;第三,郑重研究了戏剧与观众的关系,进一步明确了观众是戏剧的命运之神.认识的新突破,实践的新创造,不仅使戏剧活了下来,并有了新发展.

关 键 词:影像文化  文艺生态  独特性  传统  观众
文章编号:1000-5374(2000)04-0563-05
修稿时间:1999-06-10

Three Topics on the 100 Years' Drama
WU Ji-shi. Three Topics on the 100 Years' Drama[J]. Wuhan University Journal (Humanity Sciences), 2000, 53(4): 563-567
Authors:WU Ji-shi
Abstract:The tide of video culture of the 20th century has been vigorously colliding with the ecology of literature and art. Some types of the traditional literature and arts are severely threatened. The drama of the 20th century has been struggling for its existence and development. The theatrical circles have probed the problems in the 3 following fields: Firstly, they have renewed their knowledge of theatrical characteristics and have strengthened them that drama has stabilized now; Secondly, they have renewed their knowledge of the relations between inheritance and development. The development of drama must be based on critical inheritance of the tradition; Thirdly, emphasis has been put on studying of the relation of theatre and audience. It is clear that audience are the Destinies of theatre. The break through of knowledge and the new creations had not only kept theatre alive, but promoted its development.
Keywords:video culture  ecology of literature and art  characteristics  tradition  audience  
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