| 论曹禺悲剧艺术风格的衍变 |
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| 引用本文： | 高,月,娟.论曹禺悲剧艺术风格的衍变[J].河北科技大学学报(社会科学版),2011,11(2):76-81. |
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| 作者姓名： | 高 月 娟 |
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| 作者单位： | 石家庄铁道大学人文学院,河北石家庄,050043 |
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| 基金项目： | 河北省文化艺术科学规划项目 |
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| 摘 要： | 从《雷雨》的一鸣惊人,到《日出》、《原野》、《北京人》的经久不衰,曹禺的四大悲剧见证了他高超的悲剧艺术。曹禺在对生命个体性深刻理解的基础上,通过对西方悲剧艺术的借鉴,形成了独特的悲剧观和悲剧表达方式。曹禺悲剧艺术风格的衍变,不仅仅是社会场景的变化,更反映了曹禺对精神世界的不断探索。同时,曹禺的悲剧格调也经历了由高调悲剧向低调悲剧的转变。
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| 关 键 词： | 曹禺 悲剧 艺术风格 |
On the Development of the Tragical Artistic Style of Cao Yu |
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| GAO Yue-juan.On the Development of the Tragical Artistic Style of Cao Yu[J].Journal of Hebei University of Science and Technology,2011,11(2):76-81. |
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| Authors: | GAO Yue-juan |
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| Institution: | GAO Yue-juan(College of Humanities,Shijiazhuang Railway University,Shijiazhuang 050043,China) |
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| Abstract: | From the blockbuster of Thunderstorm to the enduring appeal of Sunrise,Wilderness and Peking Man,Cao Yu’s four great tragedies witnessed his great tragic artistry.Cao Yu’s unique expression of the tragedy is formed on the basis of the deep understanding of the life individuality and references of western tragic art.The development of Cao Yu’s tragic artistic style is not only the changes of social setting,but also the reflections of his continue exploring to mental world.At the same time,Cao Yu’s tragic style has ranged from sharp to flat. |
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| Keywords: | Cao Yu tragedy artistic style |
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