Singing with Durham Cathedral: exploring the relationship between architecture and singing

ABSTRACT

Acoustically, cathedrals can be challenging spaces. The long reverberation lengths created make singing well without prior knowledge of the building an almost impossible task. It is necessary then to understand and work with the building to achieve the sounds expected during services. Taking influence from the question of whether architecture can be heard, the article explores how singers in Durham Cathedral maintain an embodied awareness of their relationship with the building. Furthermore, it argues that the music used in Durham Cathedral developed symbiotically, emerging from a material engagement between singers and the building. The article concludes that the sound of worship cannot simply be a performance in Durham Cathedral, but a performance with Durham Cathedral as the singers works through an embodied knowledge of the architecture and its unique traits.