| 王士祯“神韵说”探微 |
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| 引用本文： | 李哲理.王士祯“神韵说”探微[J].沈阳师范大学学报(社会科学版),2004,28(2):85-89. |
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| 作者姓名： | 李哲理 |
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| 作者单位： | 庆南大学,国际文化语言学部,韩国,马山,631701 |
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| 基金项目： | 2002年庆南大学学术研究组成费资助项目。 |
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| 摘 要： | 王士祯在继承前人美学观点的基础上,第一次提出了"神韵说"这一理论主张。其理论的基本美学焦点包括:1."诗以达性,清远为尚";2."余味论";3."天然入妙,不可凑泊";4."妙悟论"。王士祯的"神韵说"迎合了清初文坛要求改变诗风的潮流,影响极大。
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| 关 键 词： | 王士祯 神韵说 美学内涵 |
| 文章编号： | 1000-5226(2004)02-0085-05 |
| 修稿时间： | 2003年1月28日 |
A Probe into Wang Shi-zhen's "Theory of Romantic Charm" |
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| Lee Chaer-lee.A Probe into Wang Shi-zhen''''s "Theory of Romantic Charm"[J].Journal of Shenyang Normal University(Social Scicence Edition),2004,28(2):85-89. |
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| Authors: | Lee Chaer-lee |
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| Abstract: | On the basis of succeeding the predecessors' aesthetic concept, Wang Shi-zhen first put forward "the theory of romantic charm". The primary aesthetic connotation of his theory is as follows:1. Poems should render the reader a feeling of tranquility and relaxation; 2. the theory of reservation; 3.poems should be unaffectedly easy and natural; 4. theory of sudden perception. In accordance with the request to change the poetic styles in the early Qing Dynasty, Wang Shi-zhen's theory of romantic charm greatly influenced the poetic creation. |
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| Keywords: | Wang Shi-zhen theory of romantic charm aesthetic connotation |
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