| 梅列日科夫斯基的象征主义理论及文学主张 |
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| 引用本文： | 耿海英. 梅列日科夫斯基的象征主义理论及文学主张[J]. 郑州大学学报(哲学社会科学版), 2003, 36(4): 25-29 |
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| 作者姓名： | 耿海英 |
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| 作者单位： | 郑州大学,外语学院,河南,郑州,450052 |
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| 摘 要： | 梅列日科夫斯基是俄国象征主义文学流派的理论奠基人,其象征主义具有宗教哲学色彩和世界观的品格。他以毕生的创作践行着自己的象征主义主张,其叙事风格彰显出一种新精神追求,从而与当时的“社会小说”和“市民小说”形成对话、论争的格局。《基督与反基督》三部曲即是其主张的重要代表作。
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| 关 键 词： | 象征主义 象征主义叙事 新精神 《基督与反基督》 |
| 文章编号： | 1001-8204(2003)04-0025-05 |
| 修稿时间： | 2003-03-04 |
Melezhkovski's Theory of Symbolism and Views on Literature |
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| GENG Hai-ying. Melezhkovski's Theory of Symbolism and Views on Literature[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2003, 36(4): 25-29 |
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| Authors: | GENG Hai-ying |
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| Abstract: | Melezhkovski was the founder of the school of symbolism in Russian literature, and his symbolism was touched with religion and philosophy. He devoted his whole life to the creation of symbolistic works which, represented by the trilogy of Christ and Anti-Christ, began to converse and debate with "social novels "and "plebeian novels ".developing a narrative style that showed a yearning for new spirit. |
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| Keywords: | symbolism symbolist narration new spirit Christ and Anti-Christ |
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