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快意恩仇:《聊斋志异》果报故事的审美情感及特征
引用本文:虞卓娅. 快意恩仇:《聊斋志异》果报故事的审美情感及特征[J]. 浙江海洋学院学报(人文科学版), 2008, 25(3): 41-45
作者姓名:虞卓娅
作者单位:浙江海洋学院人文学院,浙江舟山,316000
基金项目:浙江省教育厅科学研究计划项目 
摘    要:《聊斋志异》一书快意恩仇。蒲松龄借因果报应之说而转换了其实际内容,其因果报应篇章的审美情感和特征主要表现为:报应内容的社会化和道德化,行为主体的动机化和情感化,小说叙述的艺术化和个性化。其主调是与《聊斋》文奇义正、寄托遥深的整体精神相契合的。

关 键 词:《聊斋志异》  因果报应  审美情感

Aesthetic Emotions and Characteristics of Stories on Karma in Strange Tales from a Lonely Studio
YU Zhuo-ya. Aesthetic Emotions and Characteristics of Stories on Karma in Strange Tales from a Lonely Studio[J]. Journal of Zhejiang Ocean University(Humane Science), 2008, 25(3): 41-45
Authors:YU Zhuo-ya
Affiliation:YU Zhuo-ya (College of Humanities, Zhejiang Ocean University, Zhoushan 316000, China)
Abstract:Strange Tales from a Lonely Studio is on gratitude and revenge. Pu Songling transformed its actual content by means of karma. The aesthetic emotions and characteristics of stories about karma are as follows: the content of karma is socialized and moral; the main characters' behaviour is motivated and emotional; the narration is artistic and personalized. The theme corresponds to Strange Tales from a Lonely Studio, whose articles are unusual yet morally correct and whose spirits are profound.
Keywords:Strange Tales from a Lonely Studio  karma  aesthetic emotion
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