| 20世纪40年代女性作家的世俗化审美心态 |
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| 引用本文： | 沐金华.20世纪40年代女性作家的世俗化审美心态[J].扬州大学学报(人文社会科学版),2006,10(4):46-51. |
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| 作者姓名： | 沐金华 |
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| 作者单位： | 盐城师范学院,中文系,江苏,盐城,224002 |
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| 基金项目： | 江苏省教育厅人文社会科学基金项目(05SJD750014) |
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| 摘 要： | 特殊的战争背景使20世纪40年代的女性作家产生了与和平时代不同的审美心态,这种心态主要表现为对战争的疏离和逃避,战争只成了作家创作中的人物活动的背景,表现出明显的世俗化的特征。在这种心态影响下,女性作家的书写主要通过三种生存方式的展示,表现了她们对战争背景下人类基本生存的忧虑。
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| 关 键 词： | 女性作家 审美心态 40年代 世俗化 生存忧虑 |
| 文章编号： | 1007-7030(2006)04-0046-06 |
| 修稿时间： | 2006年1月20日 |
On the Worldly Aesthetic of Chinese Female Writers in 1940's |
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| MU Jin-hua.On the Worldly Aesthetic of Chinese Female Writers in 1940''''s[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2006,10(4):46-51. |
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| Authors: | MU Jin-hua |
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| Abstract: | The distinct background of wars in 40s imprints on the then female writers a particular aesthetic attitude way different from that in peacetime,which manifests as sort of indifference to the wars.In their writings the wars are reduced to a setting for the characters' thought and daily activities,which in turn helps shape the feature of worldliness in their aesthetic attitude.Hence their wartime survival apprehension is demonstrated mainly by unfolding three ways of living. |
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| Keywords: | female writers aesthetic 1940's worldliness survival apprehension |
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