| 感性的抗争——从王蒙《神鸟》看现代艺术的他在 |
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| 引用本文： | 何光顺. 感性的抗争——从王蒙《神鸟》看现代艺术的他在[J]. 郑州大学学报(哲学社会科学版), 2011, 0(1) |
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| 作者姓名： | 何光顺 |
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| 作者单位： | 广东外语外贸大学中文学院; |
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| 摘 要： | 王蒙的短篇小说《神鸟》是中国当代文学新感性写作的成功范例,它揭示了现代艺术隐蔽而复杂的新感性之维,表达了王蒙对于现代艺术的他在性处境的理解,表现了现代艺术向原始艺术复归的可能。死亡与复活是王蒙《神鸟》始终牵缠的主题。小说中反复出现的神鸟实际不过是现代都市文明语境下构建的一个象征性的文化图腾,其背后隐藏着王蒙对人生与艺术、世俗与神圣、感性与理性等二元对立关系的思考,表明了艺术在绝境中的希望与生机。
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| 关 键 词： | 王蒙 神鸟 现代艺术 原始艺术 新感性写作 |
Resistance of the Perceptual |
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| HE Guang-shun. Resistance of the Perceptual[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2011, 0(1) |
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| Authors: | HE Guang-shun |
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| Affiliation: | HE Guang-shun(School of Chinese Language and Culture,Guangdong University of Foreign Studies,Guangzhou 510420,China) |
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| Abstract: | Wang Meng's Sacred Bird,a short story with death and resurrection as its themes,is a good example of the new perceptual writings in contemporary Chinese literature,revealing the indistinction and complexity of modern art and the possibility of its return to primitive art.The sacred bird,which recurs frequently in the story,is no more than a totem in the context of modern urban life,a symbol underneath which are the author's reflections on the relationship between life and art,the secular and the sacred,and ... |
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| Keywords: | Sacred Bird modern art primitive art the new perceptual |
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