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百年中国文论述略
引用本文:谢冕. 百年中国文论述略[J]. 东南学术, 2000, 0(1): 25-38
作者姓名:谢冕
作者单位:北京大学中文系,北京100871
摘    要:文学评论既指文学的“评”,也指文学的“论”,这是驱动文学发展的双翼。中国文学评论作为一个现代学科,出现于近代。近代文论的改良主义主张致力于“言文合一”的新文体的推进,其目的在于以文“觉民”。五四新文学运动从语言工具革命深入到人的文学的提倡。革命文学促进了中国新文学的转向,四十年代是革命文学的广泛实践、理论也趋于完备的时期。工农兵文艺是革命文艺的继续,它完成了文学的一体制。

关 键 词:文学评论  文学革命  革命文学  一体制  多元化
文章编号:1008-1569(2000)01-0025-14
修稿时间:1999-09-10

An Outline of Chinese Literary Criticism in 20th Century
XIE Mian. An Outline of Chinese Literary Criticism in 20th Century[J]. Southeast Academic Research, 2000, 0(1): 25-38
Authors:XIE Mian
Abstract:Criticism"usually refers to critic practice and theory of literatUre. These are the two driving fouces of literary development. As a modern discipline, Chinese literary criticism began in moderm times. Demands of re- formism in Chinese literary criticism focused on the establishment of "New Genre", in order to obtain the correspondence between oral and whiten language forms.lts final aim is "enlightement" .The New Literature Movement,The May 4th began with the revolution of language, and culminated in the declaration of "Literature of Man". In the pened of Revolutionary literature, the New Chinese Lhinese Literature finished "left" turn. It was in the 1940s that Revolutionary Literature was extensively practised and the theory of Revolutionary Literature came fully into being. "Literature and Art for Workers - Peasants - Soldiers" is the continuation and develop ment of Revolutionary Literature. It then estoblished its hegemony in a long period to come.
Keywords:literary criticism  Literary Revolution  Revolutionary Literature  hegemony  
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