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论安徒生童话创作的悲剧心理
引用本文:王宁.论安徒生童话创作的悲剧心理[J].河北大学学报(哲学社会科学版),2003,28(4):142-144.
作者姓名:王宁
作者单位:南开大学,文学院中文系,天津市,300071
摘    要:安徒生在其代表性童话《卖火柴的小女孩》、《海的女儿》、《坚定的锡兵》等作品中表现出一种对于悲剧情节的沉溺。本文从安徒生自卑心理的发展的角度,并运用阿德勒补偿心理的理论对其进行了分析,认为:超越了自卑的骄傲,替代完满爱情的崇高理想,于不完满中找寻完满,这就是安徒生童话的悲剧心理。

关 键 词:安徒生  童话  拿破仑
文章编号:1005-6378(2003)04-0142-04
修稿时间:2003年3月12日

On the Tragic Psychology of Anderson in Writing His Fairy Tales
WANG Ning College of Humanitias,Nankai University,Tianjing ,China.On the Tragic Psychology of Anderson in Writing His Fairy Tales[J].Journal of Hebei University(Philosophy and Social Science),2003,28(4):142-144.
Authors:WANG Ning College of Humanitias  Nankai University  Tianjing  China
Institution:WANG Ning College of Humanitias,Nankai University,Tianjing 300071,China
Abstract:Hans Christian Andersen reveals a kind of absorption in tragic plots in his representative works, like The Little Match Girl, The Little Mermaid, and The Brave Tin Soldier. With Alfred Adler' s theory of psychology of compensation, the author analyzes the process in which Andersen develops self-abasement and draws a conclusion that the tragic psychology of Anderson in writing his fairy tales features as pride, which transcends self-abasement; sublime dreams, which substitutes ideal love; perfection, which is sought in imperfection.
Keywords:Andersen  fairy tales  self-abasement  Napoleon  
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