二张《归田赋》比较论

本文从创作背景的考察、思想内涵的考察、美学内涵之探析和二赋优劣论四个方面详细比较了张衡与张华的同题之作《归田赋》。本文主要观点是:思想内涵上,二张在赋中都表现了儒道结合的思想,此其同;张衡赋中表现的主要是儒家的积极用世思想,没有体现神仙道教思想,而张华赋对神仙道教思想有所体现,此其异。句式变化上,张衡赋做到了俪句与文采、偶意与逸韵的和谐统一,张华赋句式更为齐整,由六字句结构全篇,这是西晋文风注重形式技巧在赋作中的表现。美学内涵上,张衡赋体现的是中和之美以及对屈骚美学传统的继承;张华赋的美学内涵是"以山水体玄"。

Two Gui Tian Comparative Theory

This paper compares the work of zhang Hua＇s and Zhang Heng＇s Gu/Tian from the aspects of its aesthet- ics, content and creative background. In this paper, the main points are： the ideological connotations both two are manifes- tations of Confucianism and Taoism combined; Zhang Heng＇ s is mainly about the World Confucian and does not reflect the immortal Taoism; and Zhang Hua＇s thinking reflected Taoist immortals, this is their differences. Zhang Heng＇ s sentences harmony with literary talent. Zhang Fu＇s sentences are more neat. Sentence structure consists of six full structure, which focused on the Western Jin Dynasty style and skill in perfonnance. In aesthetic connotation, Zhang Heng Fu embodies the beauty and aesthetics and traditional inheritance of Qu Yuan; aesthetic connotation of Zhang Hua Fu is the ＂mysterious landscape of the body.＂