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浅论20世纪90年代中国大众文艺的勃兴
引用本文:李明军,葛鑫. 浅论20世纪90年代中国大众文艺的勃兴[J]. 内蒙古民族大学学报(社会科学版), 2005, 31(4): 48-53
作者姓名:李明军  葛鑫
作者单位:1. 内蒙古民族大学,人文学院
2. 内蒙古民族大学,学报编辑部,内蒙古,通辽,028043
摘    要:20世纪90年代中国大众文艺勃兴并在整个文坛占有重要的一席之地。大众文艺在中国的勃兴自有其特殊的原因,主要是:市民阶层的扩大,渴望表达本阶层的文化趣味,谋求本阶层的话语权利;文化空间的自由,政治意识形态在文艺领域隐性退场,对文艺的强制性约束力减弱;文学自身的变化,文学商品化在创作、出版、流通中凸现;大众传媒的发展,开掘和激发着作家潜在的市场价值并驱使他们改变书写策略,将目光投向大众。

关 键 词:20世纪90年代  中国  大众文艺  纯文艺
文章编号:1671-0215(2005)04-0048-06
修稿时间:2005-06-08

On the Booming of the Popular Art in 1990''''s
LI Ming-jun,GE Xin. On the Booming of the Popular Art in 1990''''s[J]. Journal of Inner Mongolia University for Nationalities(Social Sciences), 2005, 31(4): 48-53
Authors:LI Ming-jun  GE Xin
Affiliation:LI Ming-jun~1,GE Xin~2
Abstract:The booming of the popular art in China in 1990s occupies an important position in the literary world and its booming has its own peculiar reasons. With enlargement of townspeople stratum, they yearned for expressing their own stratum's cultural taste, so that they can seek the right to express their own views; the freedom of the cultural space, the invisible disappearance of political ideology; and the weakening of restraint on the literature and art; the change of the literature itself. The merchandise of literature has been revealed in the creation, publication and circulation of the works. The development of the mass media promotes the writer's latent market value and makes them change the strategy of the writing in order to attract more attention from the mass.
Keywords:1990s  China  Popular art  Pure art
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