| Abstract: | The Wakefield Shepherds' Pageant has been one of the most discussed of medieval dramas and deservedly so. Edmund Taft's fresh and insightful essay provides a provocative view o f the play as popular drama, produced by the middle-class and largely for the middle class. The popular appeal of this drama rests in the technique of dramatic surprise, used so effectively by the Wakefield Master to focus on such contemporary social and moral issues as oppression of shepherds, farmers and hired hands, unfeeling masters, unwanted children and marriages of contract only. The shepherds' play, with its powerful spiritual message of love and charity, reflects not only the Church which directed the drama but also the contemporary world of those medieval burghers who produced it. |
