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论西沃石窟造像的审美观念
引用本文:贺玉萍.论西沃石窟造像的审美观念[J].河南科技大学学报(社会科学版),2009,27(1):9-12.
作者姓名:贺玉萍
作者单位:洛阳理工学院,中文系,河南,洛阳,471023
摘    要:西沃石窟作为北魏义邑窟的典型代表,其造像体现了此期佛教艺术中国化、世俗化的特点,代表了北魏洛阳民间造像所取得的新的艺术成就。其中一号洞窟题记总结了时代造像的一般审美理念,体现了时代宗教美学理念指导下的艺术标准,表现出佛教造像的程式化的审美定式和追求艺术创新的美学要求,揭示了佛教造像艺术的审美过程和美感实现的一般规律。这在洛阳地区北魏石窟造像中还是第一次发现,有极高的文物价值和美学价值。

关 键 词:西沃石窟  造像  审美观念

Aesthetic Ideology of the Statues in Xiwo Grottoe
HE Yu-ping.Aesthetic Ideology of the Statues in Xiwo Grottoe[J].Journal of Henan University of Science & Technology:Social science,2009,27(1):9-12.
Authors:HE Yu-ping
Institution:Chinese Department of Luoyang Institute of Science and Technology;Luoyang 471023;China
Abstract:The Xiwo Grottoes at Xinan County is a typical representative of the Yiyi cover in Northern Wei Dynasty.The statues of china-and-secularization style had made new achievements in the arts it the folk sculptures,it proved a view of the Buddhist grotto art had been thoroughly completed the process of Chinese at that time.One cave statue title summed up the aesthetic ideas about sculpture,embodied the aesthetic philosophy of religion under the guidance of the art standards,revealed the law of the realization o...
Keywords:Xiwo Grottoes  statue  aesthetic ideology  
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