| 并不悦耳的曲调--《钢琴教师》中的女性主义负面美学 |
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| 引用本文： | 黎敏. 并不悦耳的曲调--《钢琴教师》中的女性主义负面美学[J]. 南京工业大学学报(社会科学版), 2006, 5(1): 65-68 |
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| 作者姓名： | 黎敏 |
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| 作者单位： | 南京工业大学,外国语言与国际交流学院,江苏,南京,210009 |
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| 摘 要： | 激进的女权主义者、诺贝尔文学奖获得者耶利内克在其代表作《钢琴教师》中描写了在男权社会价值的压制下,女钢琴教师由性压抑者最终变成窥淫者、自虐和自残者的悲剧故事。本文从作为社会符号的性道德和女性悲剧的叙述等方面探讨耶利内克揭露社会丑陋的“负面美学”倾向,以及其对西方传统男性中心的审美的颠覆。
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| 关 键 词： | 女性主义负面美学 权力 自虐 自残 |
| 文章编号： | 1671-7287(2006)01-0065-04 |
| 修稿时间： | 2005-04-27 |
The Unpleasant Melodies--Feminist Negative Aesthetics in The Piano Teacher |
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| Li Ming. The Unpleasant Melodies--Feminist Negative Aesthetics in The Piano Teacher[J]. Journal of Nanjing University of Technology(Social Science Edition), 2006, 5(1): 65-68 |
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| Authors: | Li Ming |
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| Abstract: | The great success of Elfriede Jelinek,2004 Novel Prize winner,should be attributed to her novel The Piano Teacher.It introduces a tragic story of a piano teacher,whose sexual instinct is abnormally oppressed,turns from a normal obedient girl to a self-maltreated and self-injured woman.This paper,by analyzing sexual conducts and negative narrations in the story,conducts a tentative exploration on Jelinek's female negative aesthetics and her attempts of subverting the western Phallus Centrism culture. |
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| Keywords: | Feminist negative Aesthetics power self-maltreated self-injured |
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