| 中国现代诗歌美学的奇峰——论艾青的《诗论》 |
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| 引用本文： | 张永健. 中国现代诗歌美学的奇峰——论艾青的《诗论》[J]. 浙江师范大学学报(社会科学版), 2010, 35(4): 1-9 |
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| 作者姓名： | 张永健 |
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| 作者单位： | 华中师范大学文学院,湖北,武汉,430079 |
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| 摘 要： | 艾青的诗论以形象精到的语言描述了＂真、善、美＂相统一的美学观作为诗歌的出发点和落脚点,提出了以真善美相统一为核心的＂人民即诗神＂的诗歌创作与诗歌评伦的美学主张,系统地以文艺美学来论述诗歌创作过程与诗美的特质,科学地揭示了诗歌作为艺术的本质特征。艾青诗论在中国现代诗歌美学研究中占有崇高地位。
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| 关 键 词： | 艾青 诗论 美学 地位 |
A Towering Peak in Aesthetical Studies of Modern-China Poetry:On Ai Qing's Poetic Theory |
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| ZHANG Yong-jian. A Towering Peak in Aesthetical Studies of Modern-China Poetry:On Ai Qing's Poetic Theory[J]. Journal of Zhejiang Normal University:Social Sciences, 2010, 35(4): 1-9 |
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| Authors: | ZHANG Yong-jian |
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| Affiliation: | ZHANG Yong-jian(School of Humanities,Huazhong Normal University,Wuhan 430079,China) |
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| Abstract: | Ai Qing＇s poetic theory,based on and starting from the aesthetical concept that integrates ＂the true,the good and the beautiful＂,formulates his aesthetical opinion on the composition and criticism of poetry,marked by his assertion that ＂the people are the Muses＂.It systematically addresses the process of poetry writing and the unique beauty of poetry from the perspective of literary aesthetics,thereby correctly revealing the essence of poetry as an art.Ai＇s enjoys a great reputation in the aesthetical study of modern-China poetry. |
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| Keywords: | Ai Qing（1910-1996） poetic theory aesthetics reputation |
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