| 新时期文学批评主体的重新定位 |
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| 引用本文： | 张春霞.新时期文学批评主体的重新定位[J].齐齐哈尔大学学报(哲学社会科学版),2011(3):125-127. |
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| 作者姓名： | 张春霞 |
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| 作者单位： | 齐齐哈尔大学历史与文化学院，黑龙江齐齐哈尔，161006 |
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| 摘 要： | 伴随时代的发展,文学批评家的角色由权力意志"代言者"的角色向"阐释者"的角色转换;而批评主体的批评态度则由被动的接受向主动追求语言新奇的方向转变;批评视角则由原来单一的"政治批评"视角向"多元化"的文化批评视角转换。在此基础之上,批评家不得不对自身进行重新定位,以期跟上变化了的文学创作及其批评实践,促进文学的繁荣与发展。
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| 关 键 词： | 新时期 批评主体 重新定位 |
Relocation of the Subjectivity of Literary Criticism in the New Age of China |
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| ZHANG Chun - xia.Relocation of the Subjectivity of Literary Criticism in the New Age of China[J].Journal of Qiqihar University (Philosophy & Social Science Edition),2011(3):125-127. |
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| Authors: | ZHANG Chun - xia |
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| Institution: | ZHANG Chun-xia(Qiqihar University,Qiqihar 161006,China) |
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| Abstract: | Along with the development of time,the role of the literary critics has changed from "spokesman of rights" to "interpreter".The attitude of the critic subject has turned from passive acceptance to active pursuit of novel language.Criticism has changed to be diversified cultural one while the original perspective is solely a "political criticism" perspective.Under this circumstance,critics should have their new orientation with the aim of keeping pace with changes in the literary creation,criticism practice,and promoting the prosperity and development of literature. |
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| Keywords: | the new period Critic subject new orientation |
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