| 由直观“自然”到直观“心灵”——论中国诗歌意境的生成 |
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| 引用本文： | 徐大威. 由直观“自然”到直观“心灵”——论中国诗歌意境的生成[J]. 齐齐哈尔大学学报(哲学社会科学版), 2011, 0(3): 111-114 |
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| 作者姓名： | 徐大威 |
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| 作者单位： | 齐齐哈尔大学文学与历史文化学院，黑龙江齐齐哈尔，161006 |
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| 基金项目： | 黑龙江省教育厅人文社会科学研究项目:《道禅美学思想与中国意境型诗歌的演变》， |
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| 摘 要： | 中国诗歌意境的生成乃是道、禅美学共同作用的结果。禅宗美学以其强调对"心灵"的直观,而在意境的创生中具有逻辑在先的突破性地位;道家美学以其强调对"自然"本身的直观,而为意境的创造积淀了情景合一的言说模式,具有时间在先的意义。意境的生成,经由了从直观"自然"到直观"心灵"的"向内转"。由道而入禅的背后,是心灵主体性的生成。
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| 关 键 词： | 意境 自然 心灵 主体性 |
From Direct "Nature" to Intuitionistic "Mind":On the Creation of Chinese Poetic Imagery |
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| XU Da - wei. From Direct "Nature" to Intuitionistic "Mind":On the Creation of Chinese Poetic Imagery[J]. Journal of Qiqihar University (Philosophy & Social Science Edition), 2011, 0(3): 111-114 |
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| Authors: | XU Da - wei |
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| Affiliation: | XU Da-wei(School of Literature and Historical Culture,Qiqihar University,Qiqihar 161006,China) |
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| Abstract: | The imagery of Chinese poetry is a product of the interaction of Taoism and Zen Buddhism aesthetics.Zen Buddhism aesthetics emphasizes the intuition of the "mind",and achieves a breakthrough for its logic-first feature in the creation of poetic imagery whereas Taoist aesthetics focuses on the direct viewing of the "nature" itself and obtains prior-time significance in the combination of emotion and scene of poetic imagery.Through the internalized progress from direct "nature" to intuitionistic "mind",Chinese poetic imagery is created.Also,based on the aesthetic change from the Taoists to Zen Buddhism,the mind subjectivity is established. |
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| Keywords: | imagery nature,mind subjectivity |
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