| 阿多诺《美学理论》中的艺术批判 |
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| 引用本文： | 邵华. 阿多诺《美学理论》中的艺术批判[J]. 武汉理工大学学报(社会科学版), 2006, 19(6): 891-894 |
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| 作者姓名： | 邵华 |
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| 作者单位： | 武汉大学,哲学系,湖北,武汉,430072 |
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| 摘 要： | 阿多诺在其《美学理论》中比较系统地阐述了他的艺术批判思想。这种批判一方面针对资本主义社会中艺术的商品化,而另一方面强调自律艺术对资本主义的社会批判功能。批判贯穿了否定的辩证法反对总体性和同一性的思想,在论述形式上避免了绝对化的论断,但又始终维护艺术的真理。艺术批判的归宿是艺术乌托邦,反映了西方马克思主义者理论与实践相脱离的倾向。
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| 关 键 词： | 艺术批判 辩证法 真理 |
| 文章编号： | 1671-6477(2006)06-0891-04 |
| 修稿时间： | 2006-09-12 |
The Artistic Critique in Adorno''''s Aesthetics Theory |
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| SHAO Hua. The Artistic Critique in Adorno''''s Aesthetics Theory[J]. Journal of Wuhan University of Technology(Social Science Edition), 2006, 19(6): 891-894 |
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| Authors: | SHAO Hua |
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| Abstract: | In his Aesthetics Theory,Adorno expounds systematically his idea of artistic critique.On one hand,the critique concentrates on artistic commercialization in capitalist society.On the other hand,it emphasizes the critical function of self-disciplined art on capitalist society.The critique is penetrated with negative dialectic against totality and identity,avoiding the judgment of absolutism in the form,while always maintaining truth in art.The end of critique is an artistic utopia,which reflects the tendency that the western Marxist theory is breaking away from practice. |
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| Keywords: | artistic critique dialectic truth |
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