| 寻找消隐的另一半:《苏州河》、《月蚀》和中国第六代导演 |
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| 引用本文： | 孙绍谊.寻找消隐的另一半:《苏州河》、《月蚀》和中国第六代导演[J].上海大学学报(社会科学版),2004,11(2):88-92. |
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| 作者姓名： | 孙绍谊 |
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| 作者单位： | 上海大学,影视艺术技术学院,上海200072 |
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| 摘 要： | 由研究第五代电影人发展而成，并广泛被中国研究学者所采用的理论构架已不足以充分阐释第六代电影
人的作品。这一代电影人不再满足于前代导演所呈现的历史与民俗想像，而是将当代城市空间和其年轻的承载者作为
关照对象。
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| 关 键 词： | 电影理论 电影导演 第六代导演 |
| 文章编号： | 1007-6522(2004)02-0088-05 |
| 修稿时间： | 2003年1月17日 |
In Search of the Erased Half:Suzhou River,Lunar Eclipse and the Sixth Generation of Chinese Film Directors |
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| SUN Shao-yi.In Search of the Erased Half:Suzhou River,Lunar Eclipse and the Sixth Generation of Chinese Film Directors[J].Journal of Shanghai University(Social Science Edition),2004,11(2):88-92. |
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| Authors: | SUN Shao-yi |
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| Abstract: | The basic theory developed in the studies of the fifth generation of film directors and adopted widely by Chinese scholars is no longer adequate for the young generation of film directors, whose works are more than the bleak pictures of Chinese history and Chinese countryside. In stead, the big cities and city youth in contemporary China become the inspirational sources for them. |
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| Keywords: | film theory film directors sixth film directors |
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